Portfolio > In the Year of the Horse Bound/ Bamboo 2012

Bound/ bamboo (detail)
ceramics, unfired clay, fiber, bamboo
22" w x22"d x 17"h
2012
Cage
unfired clay/ fiber
dimensions variable
2012
Cage (detail)
unfired clay, fiber
2012
Cage (top view)
unfired clay, fiber, wood, metal installation
2012
Cage/ Broken (top view)
unfired clay, fiber
8"w x 8"d x 8"h
2012
Fan
mixed media, rice paper on wood
11"w x 2"d x 9"h
2012
Secret (Nu Shu)
embroidery and beading on cotton
9"w x 8.5"h
2012
The Golden Lotus
ceramics, unfired clay, fiber
dimensions variable
2012
The Golden Lotus (detail)
ceramic, fiber installation
dimensions variable
2012
100(0) Buckets
unfired clay, fiber, wood, metal installation
dimensions variable
2012
100(0) Buckets
unfired clay, metal
dimensions variable
2012
Bound/ Evidence
unfired clay, fiber
approximately 3" to 4" l
2012

This is a series inspired by research on the emigration of Chinese women to Jamaica and the Caribbean. In 1866, Chinese women arrived in Port-of-Spain, Trinidad with "truncated" feet and I, immediately, realized that they had bound feet.
Foot binding existed in China from 900-1912, yet, 100 years later, we can still be bound and restricted in many ways, spiritually, emotionally, intellectually, psychologically and physically. Fortunately, we have choices in 2012, to live a life well lived.
All the work in this folder was exhibited in the CAGE Gallery at Edna Manley College of the Visual and Performing Arts in March, 2012.